Hidden City Life in Two Works of Literature

grant\nCompare the depiction of the mystic life of the city in dickens, Night Walks, and the divide c anyed The duo from Michael Ondaatjes novel, In the Skin of a Lion.\n\nResponse\nBuildings and structures are seen, acquired, interacted with and remembered any single day by thousands of different people from all walks of life. Some buildings are historically significant and others seemingly extradite no hi twaddle at all. Despite the history of the buildings, structures etcetera, what they all have in reciprocal is the lives that have inhabited and influenced them. separately structure has a story of its own, well known or not, which is significantly important. The writings of Charles hellion in his piece Night Walks , and Michael Ondaatjes section from In the Skin of a Lion, The Bridge, both accurately reveal the privy stories and lives of these structures by their use of imagery, embodiment and in depth geographic expedition of what lies behind the presumed. In doing so, both authors are able to successfully project a much in depth endure of either walking through with(predicate) the streets of capital of the United Kingdom alongside two, or experiencing the construction of the Bloor Street viaduct (the bridge) pictured in Ondaatjes writing.\nIn Charles Dickens Night Walks the commentator is led alongside Dickens himself throughout his walks in capital of the United Kingdom after dark in an attempt to help recruit his insomnia. What Dickens discovers is a smear new side of London, a place that before his walks he was sure that he knew quite well. Through the use of imagery, Dickens brings his readers closer to the sensory experience of actually walking the streets of London themselves; Walking the streets in the pattering precipitate ; Drip, drip, drip, from ledge and coping, splash from pipes and water-spouts, and later on the houseless shadow would fall upon the stones... ; The round the bend moon and clouds were as busy as an evil scruples in a tumbled bed, and the actually shadow of th...